"Welcome to Crappy Car Mountain." "The mountain's top is held on with duct tape." "Cellophane bushes rustle in the wind." "This one side is a different color than all the rest of it." Looking for a fun warm-up to get your ensemble playfully building a world together? Here's one!
USSR 1730... Vladimir Toma invents a heating device... "Yah, so, this I call...vodka..." The difference between one actor delivering all three of those lines and three improvisers delivering one of those lines apiece is huge in terms of audience reaction. When the audience sees that a player is accepting a choice given to them - […]
Nothing bugs me more than a scene where two improvisers meet stage center, stare only at each other and talk only to and about each other. I get it. Your stage partner is truly the only other active element on stage with you. But, c'mon, show some imagination. The audience likes to see us interact […]
Do you want to see some Harold's performed? Here are two performed by The Coalition Theater's Fall 2015 Long Form Performance class conducted back to back nights. Player are: Shahenn Ali, Teddy Armstrong, Amber Hendrix, Jesse Hill, Meredith Hughes, Laura Kelly and Christopher May Harold #1 [wpvideo LmNd3vNd] Harold #2 [wpvideo L76Ztupa]
I am immensely proud of this show and the group that created it. It comes from The Coalition Theater's Fall Patterns and Games Class. In a Patterns and Games, success and failure hinged on the collective performance of the group. And…this class succeeded. Watch them all support each other through a performance that runs the gamut of games – rubric […]
As said best in Truth in Comedy, “The Harold is like the space shuttle, incorporating all of the developments and discoveries that have gone before it into one new, superior design.” The other way around, Harold’s learnings pack in the lion’s share of what you need to know to do any other long-form, which is […]
A "Blackout" is a short scene with one big punchline. In sketch, or in improv with a tuned-in booth operator, the lights would go out on stage after the punchline, designating the end of the scene and earning the name "blackout." Blackouts are fun. They can help vary the pacing of a long-form show. They […]
Looking for an exercise to help with creating characters and embracing endowments? Here's one for you.
There's more than one way to build intensity over time. Both scenes work in an improv context. No doubt. But I prefer the second iteration. The second scene is more dynamic. Yes, both Bobs are altered by scene's end and both scenes progress, but in the second scene Bob's change is clearly delineated to establish […]
Breaking the Plane – Players define where their characters are in relation to each other by choosing where to “look” for that character. Using this ability, there are so many different cool ways for us to fracture our improv stage - enabling new heights, depths, distances, and other spatial relationships. For example, in a baseball scene, […]