It's 2020, my friends. And my curriculum needed to get with the times. Goodbye, Dukes Of Hazzard. Goodbye, s/he, his/her, him/her, etc. 2020 brings new exercises, new insights, and new clarifications for teaching. Links have been updated on the Class Materials page, but they're also here. Enjoy!
Make a choice the moment you enter stage. Choose to feel. Feel something about something - an imagined object, mimed activity, and/or your scene partner. Allow both you and your scene partner to be dynamic. Here's the final scene from a class building out that progression and its value: [videopress L5WDXzrA] And here's the class' outline […]
Objective: Players entering a scene in progress should always seek to heighten the games already in play. Heightening those games with concentrated pattern mechanics will increase the impact of those tertiary moves. The following outlines Tertiary and Polish moves with supporting video of me actually teaching a class those moves: Walking On and Walking Off […]
Watch an improv teacher adroitly introduce an objective to students, explain an exercise they'll do in service of that objective, provide side-coaching, and wrap it all up in the end. The clip comes from a Teacher & Coach Training Session at The Coalition Theater. Want to learn what they learned? Want to lead a similar […]
I recorded the session of my Patterns & Games class at The Coalition Theater in which we tackled the My 3 Rules game I've previously presented as a warm-up. One, the camera's distance makes it hard for the viewer to really track the game in play. Two, oh, man, looking for a drinking game? Watch […]
One Person Scene. Two Person Scene. Three Person Scene. Four Person Scene. Five Person Scene. Six Person Scene. Five Person Scene. Four Person Scene. Three Person Scene. Two Person Scene. One Person Scene. Or... One Person Scene. One Person Scene. One Person Scene. One Person Scene. One Person Scene. One Person Scene. One Person Scene. One Person Scene. One Person Scene. One Person […]
The rhythm with which a game’s mechanic is played helps pace the scene and build it toward an edit. The relationship between “When this happens” “this happens” is useful not only to focus improvisers’ choices but it also connects with the audience. In Short Form, where the mechanics of the “game” are told to the […]
Like the 5 Things warm-up? You'll love this one. Or so you will if you're like I was when exposed to this warm-up tonight by Matt Newman. Looking for a nice in-your-head out-of-your-head patterns-on-patterns warm-up?
Aaron Grant once took the stage across from me, making eye contact but planting his feet firmly just beyond the stage right wing. I mirrored him on stage left. He mimed the classic flirtatious fishing move. I played his fish but broke his line bashfully, the stage's distance remaining between us. I danced as someone […]
Friends, it's 2018! Luckily all the bad stuff from 2017 has been tidied up nicely and we have a brand new start! No? Well,... how about updated improv curricula in lieu of world peace and universal sanity?