Emotional Subtext: Make assumptions to heighten emotions. “Have you seen my wallet?” “I get it; I’m not fiscally responsible!” Seeking to use emotions to drive scenes, we can make our partner’s contributions matter even if they don’t initially resonate. Suggested Exercises: EMOTIONAL ACCUSATION LAY-UPS – Player One comes off a lay-up line with a very […]
Emotional Initiations: The sooner we identify how a player feels the better – because that feeling can be heightened by the player and played to by the player’s teammates. The sooner we can identify how a player feels about a something the better – because that something can be heightened by the player to heighten […]
2 Person Scenes Heightening Emotion: Establish an emotional perspective, heighten the emotional perspective through reaction to active details, and edit – That’s scene. We want to avoid negotiation, conflict and the tepid, talked-out “discovery” that stagnates scenes’ growth. Suggested Exercises: ENDOW AND HEIGHTEN LAY-UPS – Player One initiates from stage left. Player Two initiates from […]
Objective: A scene’s stakes (situational, behavioral and relation-based) can be heightened with more scenes, especially when emotions are heightened, too.
Remember what you like; Repeat: We have to listen and retain so we can return to and heighten established information. Memory is a muscle to exercise. But the exercise can be fun – focus on what makes you laugh, what engages you. Suggested Exercises: STORY STEALING – Everyone in a circle. One at a time, […]
Heightening Through Tag-Outs: A “tag out” allows the audience to see how a character from a previous scene will react to another character/scenario/etc. We want to execute tag-outs in service of heightening the emotional stakes. TAG OUTS –To perform a tag out, a player enters a scene in progress and literally tags the player that […]
Self Contained Emotional Statements: Emotion should be the base of all the improv we do. A “Self Contained Emotional Statement” establishes a stable starting point without dictating a direction and therefore is the initiation most conducive to patterns’ possibilities. Suggested Exercises: SCES CIRCLE I – Around a circle, everyone makes a Self Contained Emotional Statement. […]
One Person Scenes: We simplify by minimizing the number of perspectives on stage through agreement. We build collaboratively through enthusiastic acceptance. Emotional reaction is most important piece of content. [wpvideo lCqNxq17] Performers are: Steve Curtis, Noel Elias, Nolan Graveley, Andy Lett-Durant, Blake Mirzayan and Emma Trachman ONE PERSON SCENES – Groups of 5 or 6, […]
Objective: Building patterns one step at a time, it doesn’t matter what “type” of game we’re playing. From any Offer, through agreements’ simplification, repetitions’ clarification and progressions’ heightening a group can confidently navigate and focus “organic” games. 5.0 Warm-Ups: Build energy and concentrate energy. Suggested Exercises: CRAZY EIGHTS 21 5.1 One Start, Multiple […]