Losing: The best tool in avoiding conflict? Losing. Losing is such a powerful skill. One, it allows players to disengage from talking-head arguments. Two, the losing player wins in the audience’s eyes – don’t ever underestimate the endearing quality of a player who is willing to be affected
Bite your tongue. Swallow your pride. Engage in an unrelated shiny active element on stage. Be the dynamic character and the scene’s about you. Your scene partner will hurry to be affected also because the audience reacted so favorably to you. Or, your scene partner will support your dynamism by feeding you fuel to heighten your dueling emotions.
Suggested Exercises:
TURN THE OTHER CHEEK – Prepare contrasting pairs of scenic desires (“Love me”/ “Leave me”; “We have to stop rocking”/ “Never stop a’rockin’”; “I need you to understand my truth”/ “I’ll never believe your lies”). Instruct players to initiate fully believing in their given desire. Build tension, sure. But the first player to acquiesce wins. And the exercise’s focus is understanding how “losing” affects the scene.
Lessons:
• Giving in ? Giving up – If you acquiesce, that doesn’t mean you’ve given up on your desire. You can return to it. And you can acquiesce again. The dueling emotional reactions is what makes you a dynamic character.
• More than one character can be dynamic – “Love me”/ “Leave me”/ “Okay, I’m leaving”/ “Stay.” That’s fun.
PDF of "contrasting pairs of scenic desires" to print and cut out for exercise.
[…] I got out.” I could have heightened my exasperation but I had an opportunity to redirect, to lose, to back-off exasperation so as to build tension for its return. We were out spending the day […]