"Who do you tag out?" I've asked improvisers. "Keep the Crazy," some reply. Have more fun with a fun character. It's a fine thought. "Change the catalyst," I say. The audience loves watching improvisers affected by imagined reality. When we heighten the reality we force the affected character into a heightened reaction. So when choosing […]
GUS, the delightful and talented team from The Baltimore Improv Group, opens its sets these days by asking the audience for "Three non-geographic locations." Asked to come up and lead a practice, I brought this exercise with me. We had a lot of fun with it. You will, too. Have you ever been in The […]
Make a choice the moment you enter stage. Choose to feel. Feel something about something - an imagined object, mimed activity, and/or your scene partner. Allow both you and your scene partner to be dynamic. Here's the final scene from a class building out that progression and its value: [videopress L5WDXzrA] And here's the class' outline […]
When asked for a desired focus for a scheduled coaching session, a Duo sent me the following: Mainly character stuff, fleshing them out versus building out more plot. Getting better at finding and sticking to the game of the scene. What follows is some didactic and exercises that filled two hours. DIDACTIC: How do You […]
One Person Scene. Two Person Scene. Three Person Scene. Four Person Scene. Five Person Scene. Six Person Scene. Five Person Scene. Four Person Scene. Three Person Scene. Two Person Scene. One Person Scene. Or... One Person Scene. One Person Scene. One Person Scene. One Person Scene. One Person Scene. One Person Scene. One Person Scene. One Person Scene. One Person Scene. One Person […]
Repetition of relationship mechanics (“This” then “That”) establishes expectations for the audience. These expectations can be played to and against for fun effect. Looking for a warm-up to practice playing with expectations? Try Foreign Dubbing! [wpvideo O7SmvMk9] Performers are: David Adams, Guy Chapman, Patrice Deveaux, Micah Head, Alan Hopkinson, Nick Lawton, Megan Lemay, Jillian MacDougall, […]
Personal Games are the focus of the base Mirror, Action, Object warm-up exercise. Engaged in either how they feel about themselves, how they feel about what they're doing, or how they feel about a mimed object, players build progressions of emotional reaction triggered by active endowments. As examples: A player loves his outfit, and as […]
It's a fine line between a character evoking a plot and a character reacting to their reality. A very fine line. But I believe that attention to that line can mean the difference between a scene where improvisers force a sequence of events dependent on an audience's satisfaction with a resolution and a scene where […]
A wonderful conceit about Seinfeld, explicit in the meta-dealings with Jerry's and George's sitcom pitch within the sitcom, was that it was a "show about nothing." Yet of course the truth is that, while maybe an episode is not be driven by plot, it is about "something" - every episode revolves around the way known […]
Everyone in a circle. Starting Player starts with a Self Contained Emotional Statement through the filter of being a "crazy" character-type (a pirate, a monster, a nun.. see nonMECE list HERE.). For example, (proudly) "The full moon's rising and with it my transformation." The Player to their right interacts through the lens of a "normal" […]