Boldly choose. Boldly commit. Accept everything your scene partner says and does. Accepting doesn't mean you have to like it, but you have to allow it to happen - and to repeat. Commit. Push forward. And you'll find yourself on the other end. Stopping forward momentum to discuss, argue or otherwise conflict will kill you […]
Acting. Webster's defines it as: the art or practice of representing a character on a stage or before cameras. Fine. You're acting when you're pretending to be someone else. Then what's "good acting"? Representing that character better. What's "bad acting"? Representing that character worse. How does that relate to improv where the character only exists […]
Objective: To play with strong emotional perspectives that evoke strong emotional reactions and drive strong emotional scenes.