One Person Scene. Two Person Scene. Three Person Scene. Four Person Scene. Five Person Scene. Six Person Scene. Five Person Scene. Four Person Scene. Three Person Scene. Two Person Scene. One Person Scene. Or... One Person Scene. One Person Scene. One Person Scene. One Person Scene. One Person Scene. One Person Scene. One Person Scene. One Person Scene. One Person Scene. One Person […]
Nothing bugs me more than a scene where two improvisers meet stage center, stare only at each other and talk only to and about each other. I get it. Your stage partner is truly the only other active element on stage with you. But, c'mon, show some imagination. The audience likes to see us interact […]
Objective: When we see, touch, smell and REACT to our environment, the audience can, too. If nothing else, be deliberate - your commitment to engaging the environment will enable the audience to accept any weird ass thing you do.
MAGIC CLAY – Around a circle, a player builds a mimed object “out of clay” and then hands the object to another player who interacts with it as and then molds the “clay” into a brand new object. And repeat. Variations: • Weaponized Reactions - form a weapon out of the magic clay, attack another […]
You Are Not What You Do: Let your miming inspire a scene but do not let it dictate the scene. When you and a friend engage an activity, how much dialogue goes to discussing that activity? Do you talk about doing the dishes while doing the dishes? Mime gives us something to do so we're […]