I sat with across from an executive. It was a benign conversation - a check-in meeting. Neither of us was all that engaged. Looking down at his desk, I noticed he'd arrayed files on his desk in the order of a rainbow - Red, Orange, Yellow, Green, Blue, Purple (though Roy G. Biv forever, squad). I […]
We want to fill our blank stages with imagined environment. We want to engage physically in that environment to help visualize the imagined. And - most importantly - we want to be emotionally affected by where we are and what we're doing. That's Improv As Improv Does Best. Our fellow player(s) and how they emotionally […]
Feeling about active endowments. That's Improv As Improv Does Best. It ain't easy. That balance between making up imagined details and committing to feeling about imagined details is tough to manage. Already we're trying to see our world's details instead of thinking up details, but we also have to care about those details in-the-moment. Like […]
Objective: To build scenes by exploring and heightening committed perspectives.
Objective: To responsibly and recklessly endow scene partners (with characteristics, information, activities, etc.) that s/he must accept.
Objective: To play with strong emotional perspectives that evoke strong emotional reactions and drive strong emotional scenes.
Without scripts, improvisers are dependent on what’s in their head – details from their lives and their personal ability to access emotion in-the-moment. The audience loves seeing us on stage. Let the audience see you to give them the ability to connect with you and ultimately root for you. CAFÉ SCENES – Two players sit […]
CONVERSATION PARTY – Players stand on stage in multiple groups of two or three people. Players are “at a party” as themselves, speaking as themselves to other who are also themselves. The teacher conducts focus from one conversation to the next. Lessons: • Be specific – You don’t have to try so hard to be […]