A monologist shares a personal story. Ideally one recreating their emotions about a specific moment with rich details. Performers then replace the speaker on stage with a series of scenes inspired by the monologue. Ideally not just scenes reenacting the recollection but scenes that heighten the ideas of the monologue through new contexts. Maybe the monologist […]
The first time it's random. The second time it's purposeful. The third time it's expected. This progression informs how we build collaboratively in improv, be it in service of a pattern of emotional behavior, a relationship dynamic, a group game, or forging an organic format. What is necessary to elevate a random occurence into a shared […]
Mikael Johnson, Jason Saenz and I are Best Friends. And our Best Friends format is one of my favorite. This show was the only show we taped. And while it isn't our best, it'll suffice to document our Slideshow Opening and our Three Character Format. Enjoy "Drunk Camping."
As said best in Truth in Comedy, “The Harold is like the space shuttle, incorporating all of the developments and discoveries that have gone before it into one new, superior design.” The other way around, Harold’s learnings pack in the lion’s share of what you need to know to do any other long-form, which is […]
I'm enamored by memories of the Chicago teams "People of Earth" and "American Dream." Often an audience member remembers a show by the handful of great scenes it produced. These groups of talented improvisers created memorable shows because the scenes built on each other to create a singular experience. This post aims to provide some […]
I like formats. Playing within The Harold's dictated structure of Opening, 1A, 1B, 1C, Group Game, 2A, 2B, 2C, Group Game and 3A/B/C an improviser can spend less time on the wings worrying about what to initiate and more time focused on how to initiate. I like rules. Rules free us to play Pavlovianly and […]